Their first project was the Chill Deal Boyz, a group that Jay Ski himself admits was trying to make New York hip-hop records rather than fully embracing Florida. Lemonhead were establishing their own version of the bass scene in Jacksonville. While Campbell represented South Florida, Jay Ski and C.C. The Best Movies of 2021 (So Far) I Believe I Can Fly: The Oral History of ‘Space Jam’ I wanted to do music where people could appreciate where we’re from.” We weren’t trying to be like Run-DMC, Sugarhill Gang. “We live in a melting pot with people from Jamaica, Cuba, Dominican Republic, Puerto Rico, Bahamas, Haiti. “We have calypso, uptempo, congas, tom-toms, lots of beaches, sun, and fun,” Campbell says. This was when Miami locals skewered the idea that rap could live only in New York or L.A., and instead brought the city’s cultural imprint off the beaches and onto the dance floor at 120 beats per minute. … And for these guys to be successful on a major soundtrack and it’s a bass record? … I was happy, proud, elated anytime our music and culture from the South, especially from Florida, gets recognized.”Īs the leader of the platinum-selling 2 Live Crew, Campbell helped lay the groundwork for Miami bass as a genre and the Quad City DJ’s take on the state’s unique place in hip-hop history. “Anything at those times not coming from New York, people had no time for. Luke Skyywalker of Miami bass legends 2 Live Crew. “I’m like a proud uncle, sitting there smiling,” says Luther Campbell, a.k.a. Lemonhead” Orange became the resounding slam dunk of history’s greatest intergalactic sports pop culture film. Faster than you can rhyme “room” with “kaboom,” Jay Ski, JeLana LaFleur, and Nathaniel “C.C. “He says, ‘Man, they play your song over and over again.’ … It was amazing!” With only a single album to their name, Quad City DJ’s ran through the halls of Miami bass culture to launch a pop smash as thrilling, propulsive, and instantly monumental as His Airness. “I have pictures of Michael pulling up at the premiere … and he told me that it was his two boys’ favorite song on the soundtrack,” says Quad City DJ’s cofounder Johnny “Jay Ski” McGowan.
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Though not yet a household name when Space Jam debuted in 1996, the Florida trio’s theme song for the movie bounced across a digitally animated stage crawling with rabbits, basketball superstars, and aliens and into seemingly every pair of speakers around the world.
But the blonde haired girl was not too happy about this and would cry at night because of how much she missed their friendship.Like a rookie making their debut by hitting a Game 7 buzzer-beater, nobody saw Quad City DJ’s coming. The brunette-haired one’s family moved away from New York City when she turned eleven so every summer her parents would take her back home so that she could spend time with her friends. It was like they knew each other forever even though it wasn’t until then that they realized how much they meant to each other.
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They instantly clicked over their mutual love for all things Disney movies and started to spend most of their free time together at each others houses or playing on swings outside.
One girl had bright blonde hair and green eyes while the other had dark brown hair with hazel eyes.
The year was 1998 and they were both ten years old. A long, long time ago in the middle of a busy city, two young girls met for the first time.
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